Friday, April 12, 2019
Tickets On Sale Now!
More than three decades have passed since Los Lobos released their debut album, Just Another Band from East L.A. Since then they’ve repeatedly disproven that title—Los Lobos isn’t “just another” anything, but rather a band that has consistently evolved artistically while never losing sight of their humble roots.
Los Lobos were already East L.A. neighborhood legends, Sunset Strip regulars and a Grammy Award winning band (Best Mexican-American/Tejano Music Performance) by the time they recorded their major label debut How Will The Wolf Survive? in 1984.
Although the album’s name and title song were inspired by a National Geographic article about real life wolves in the wild, the band—David Hidalgo, Louie Perez, Cesar Rosas, Conrad Lozano and Steve Berlin—saw parallels with their struggle to gain mainstream rock success while maintaining their Mexican roots. Perez, the band’s drummer, once called their powerhouse mix of rock, Tex-Mex, country, folk, R&B, blues and traditional Spanish and Mexican music “the soundtrack of the barrio.” Three decades, two more Grammys, a worldwide smash single (“La Bamba”) and thousands of rollicking performances across the globe later, Los Lobos is surviving quite well — and still jamming with the same raw intensity as they had when they began in that garage in 1973.
“We’re a Mexican American band, and no word describes America like immigrant. Most of us are children of immigrants, so it’s perhaps natural that the songs we create celebrate America in this way.” So says Louie Perez, the “poet laureate” and primary wordsmith of Los Lobos, when describing the songs on the band’s album, Gates of Gold.
In the band’s early recording days – those years just before and after “La Bamba,” their worldwide crossover hit from the 1987 film which reached #1 on the U.S. and UK singles chart – they prepared for album recording sessions with top producers like T-Bone Burnett with pre- production that included multiple rehearsals and “outlining” what the project was going to be. The more spontaneous approach to writing and recording that they took on their 1992 Mitchell Froom co-produced set Kiko still exists today; Rosas says, “When I listen to our catalog, doing things more spontaneously in the studio has led to some of our best work.” Unlike many bands that write, gather and catalog material between studio releases, Los Lobos prefers to create their magic on the fly when they decide it’s time to record. Perez says, “We never come in with a cache of 20 songs. Our thing is to write as we’re recording. It’s like starting with a blank canvass every time.”
Back in 2003, when Los Lobos was celebrating the 30th Anniversary of their humble beginnings as a garage band in East L.A., Rolling Stone summed up their distinctive, diverse, freewheeling fusion of rock, blues, soul and Mexican folk music: “This is what happens when five guys create a magical sound, then stick together…to see how far it can take them.” Originally called Los Lobos del Este (de Los Angeles), a play on a popular norteno band called Los Lobos del Norte, the group originally came together from three separate units.
Lead vocalist/guitarist Hidalgo, whose arsenal includes accordion, percussion, bass, keyboards, melodic, drums, violin and banjo, met Perez at Garfield High in East LA and started a garage band. Rosas, who had his own group, and Lozano launched a power trio. “But we all hung out because we were friends and making music was just the natural progression of things,” says Perez, the band’s drummer. “Like if you hang around a barbershop long enough, you’re going to get a haircut.”
Berlin is Los Lobos’ saxophonist, flutist and harmonica player who met the band while still with seminal L.A. rockers The Blasters. He joined the group after performing on and co-producing (with T-Bone Burnett) their breakthrough 1983 EP …And A Time To Dance. Los Lobos were already East L.A. neighborhood legends, Sunset Strip regulars and a Grammy winning band (Best Mexican American/Tejano Music Performance) by the time they recorded How Will the Wolf Survive? Although the album’s name and title song were inspired by a National Geographic article about real life wolves in the wild, the band saw obvious parallels with their struggle to gain mainstream rock success while maintaining their Mexican roots.
Perez, once called their powerhouse mix of rock, Tex-Mex, country, folk, R&B, blues and traditional Spanish and Mexican music “the soundtrack of the barrio.” Three decades, two more Grammys, the global success of “La Bamba” and thousands of rollicking performances across the globe later, Los Lobos is surviving quite well — and still jamming with the same raw intensity as they had when they began in that garage in 1973. They don’t get in the studio as often as they did a few decades ago – Tin Can Trust came four years after their previous album of all originals, The Town and the City – but when they do, the results are every bit as culturally rich, musically rocking and lyrically provocative as they were back in the day.
Los Lobos still are:
Louie Perez- Drums, Guitars, Percussion, Vocals
Steve Berlin- Saxophone, Percussion, Flute, Midsax, Harmonica, Melodica
Cesar Rosas- Vocals, Guitar, Mandolin
Conrad Lozano- Bass, Guitarron, Vocals
David Hidalgo- Vocals, Guitar, Accordion, Percussion, Bass, Keyboards, Melodica, Drums, Violin, Banjo
Enrique “Bugs” Gonzalez – Drums/Percussion
Buy your tickets at World Records
• In Person
– 2815 ‘F’ Street Bakersfield, C
• By Phone
WORLD RECORDS – 2815 ‘F’ Street Bakersfield, CA 93301 – 661-325-1982
Where Music Matters Most since 1982